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Frozen 2 Disney Plus Release Date 2019

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2019 film by Chris Buck and Jennifer Lee

Frozen II
Elsa with Anna and Olaf to her right and Kristoff and Sven to her left

Theatrical release poster
Directed by
  • Chris Buck
  • Jennifer Lee
Screenplay by Jennifer Lee
Produced by Peter Del Vecho
Starring
  • Kristen Bell
  • Idina Menzel
  • Josh Gad
  • Jonathan Groff
Cinematography Mohit Kallianpur
Edited by Jeff Draheim
Music by
  • Christophe Beck (score)
  • Robert Lopez (songs)
  • Kristen Anderson-Lopez (songs)
Layouts by Tracy Scott Beattie

Production
companies

  • Walt Disney Pictures
  • Walt Disney Animation Studios
Distributed by Walt Disney Studios
Motion Pictures

Release date
  • November 7, 2019 (2019-11-07) (Dolby Theatre)
  • November 22, 2019 (2019-11-22) (United States)

Running time

 104 minutes[1]
Country United States
Language English
Budget $150million
Box office $1.450billion

Frozen II [a] is a 2019 American computer-animated musical fantasy film produced by Walt Disney Animation Studios, the 58th Disney animated film and the sequel to Frozen (2013). Directed by Chris Buck and Jennifer Lee, written by Lee, and produced by Peter Del Vecho, the film stars Kristen Bell, Idina Menzel, Josh Gad, and Jonathan Groff. Set three years after the first film, Frozen II follows sisters Anna and Elsa, Kristoff (an iceman), his reindeer Sven, and the snowman Olaf as they travel to an enchanted forest to unravel the origin of Elsa's magical power.

The film was green-lit in March 2015 after a company debate about whether it would be perceived as inferior to the original. It used more-complex, enhanced animation technology than Frozen, and was an interdepartmental collaboration. Kristen Anderson-Lopez and Robert Lopez return as songwriters, and Christophe Beck again composed the music. The film was translated into 46 languages and was accompanied by Into the Unknown: Making Frozen II, a documentary series.

Frozen II premiered in Los Angeles on November 7, 2019, and was released in the United States on November 22. The film received generally-positive reviews for its craftsmanship, delivery and themes; its narrative and focus drew some criticism, and the music had a mixed reaction. Frozen II earned $1.450billion worldwide and was the year's third-highest-grossing film, the tenth-highest-grossing film of all time, and the second-highest-grossing animated film of all time. It had the highest-grossing worldwide opening of all time for an animated film. Frozen II received a number of awards and nominations: two Annie Awards and nominations for a BAFTA, two Golden Globes and two Grammys. At the 92nd Academy Awards, the film's "Into the Unknown" was nominated for Best Original Song.

Plot

King Agnarr of Arendelle tells his daughters Elsa and Anna that their grandfather, King Runeard, forged a treaty with the neighboring tribe of Northuldra by building a dam in the Enchanted Forest (their homeland). A fight occurs, however, resulting in Runeard's death and enraging the forest's classical elements of earth, fire, water, and air. The elements disappear, and a wall of mist traps everyone in the forest; Agnarr barely escapes, helped by an unknown savior.

Three years after her coronation,[b] Elsa celebrates autumn in the kingdom with Anna, the snowman Olaf, the iceman Kristoff, and Kristoff's reindeer Sven. One night, Elsa hears a mysterious voice calling her. She follows it, unintentionally awakening the elemental spirits and forcing everyone in the kingdom to evacuate. The Rock Troll colony arrives, and Grand Pabbie tells them that Elsa and the others must set things right by uncovering the truth about the past. Elsa, Anna, Olaf, Kristoff and Sven follow the mysterious voice, and travel to the Enchanted Forest. The mist parts at Elsa's touch; the air spirit appears as a tornado, catching everyone in its vortex before Elsa stops it by forming ice sculptures. The sisters discover that the sculptures are images from their father's past, and encounter the Northuldra and a troop of Arendellian soldiers who are still in conflict with one another. When the fire spirit appears, Elsa discovers that it is an agitated magical salamander and calms it. Elsa and Anna arrange a truce between the soldiers and the Northuldra after discovering that their mother, Queen Iduna, was a Northuldran who had saved Agnarr (an Arendellian). They later learn about a fifth spirit, who will unite the people with the magic of nature.

Elsa, Anna, and Olaf continue north, leaving Kristoff and Sven behind. They find their parents' wrecked ship and a map with a route to Ahtohallan, a mythical river said to explain the past. Elsa sends Anna and Olaf to safety, and continues alone. She encounters and tames the Nøkk, the water spirit who guards the sea to Ahtohallan. Elsa discovers that the voice calling to her is the memory of young Iduna's call; her powers are a gift from nature because of Iduna's selfless saving of Agnarr, and Elsa is the fifth spirit. She learns that the dam was built as a ruse to reduce Northuldran resources, because of Runeard's contempt for the tribe's connection with magic and his intention to destroy them and incorporate their region into the kingdom. Elsa learns that Runeard began the conflict by killing the unarmed Northuldran leader in cold blood. She sends this information to Anna before she becomes frozen (causing Olaf to fade away) when she ventures into the most dangerous part of Ahtohallan.

Anna concludes that the dam must be destroyed for peace to be restored. She awakens the Jötunn, and lures them towards the dam. They hurl boulders, destroying the dam and sending a flood down the fjord towards the kingdom. Elsa thaws out and returns to Arendelle, diverting the flood and saving the kingdom. As the mist disappears, she rejoins Anna and revives Olaf; Anna accepts Kristoff's marriage proposal. Elsa explains that she and Anna are the bridge between the people and the magical spirits. Anna then becomes Queen of Arendelle; Elsa becomes the protector of the Enchanted Forest, who visits Arendelle since peace has been restored. In a post-credits scene, Olaf visits Elsa's ice palace and recounts the events to Marshmallow (a snow monster created by Elsa as palace guard)[b] and the Snowgies, miniature snowmen inadvertently generated by Elsa on Anna's nineteenth birthday.[c]

Thematic analysis

A reindeer browsing on fall vegetation

Reindeer have been venerated by the Sámi people, who consider them symbolic of Sámi strength and identity.

The indigenous Sámi people were historically associated with reindeer, and identified with the animals' strength. Trude Fonneland wrote that a female divinity emphasized female contributions with themes including unity, courage, hope, friendship, and truth.[2] [3] [4] Elsa attempted to send Anna away because she was concerned about her sister's safety.[5] [6]

In animation, female characters embody female images as a whole. The film's female characters are emotionally diverse, motivated by social status and awakening of feminism. The elegant, noble Elsa wants to be free and live a normal life, and Anna is dreamy, cheerful and enthusiastic; both acted to defend their kingdom from danger.[7]

Frozen II has been interpreted as a critique of colonialism and as advocating reparation.[8] [9] [10] Before Elsa and Anna were born, their grandfather King Runeard built a dam for the Northuldra tribe. Ostensibly a gift, the dam weakens the tribe's magical power. Runeard's plot fails after he murders the leader of Northuldra and war breaks out. The forest spirits which preside over Northuldra shroud it in an impenetrable mist, preventing anyone from leaving or entering.[8] [10] The Northuldra are modeled on the Sámi people, indigenous to Scandinavia and northwestern Russia, who experienced discrimination as pagans reputed to be skilled in magic and witchcraft. In 1609, King Christian IV of Denmark wrote that the Sámi were adept at magic, and no mercy should be granted in cases involving Sámi sorcery. Nordic missionaries confiscated or destroyed religious items and sites and built churches to supplant Sámi shamanism.[8] [11]

Screenshot of the Northuldra dam

A dam in Norway, on which Frozen 2's Northuldra dam is based

A subplot in which a dam (above) is built on tribal land by King Runeard alludes to Norway's controversial Virdnejávr Dam, below.

The Northuldra dam reflects Sámi history. A hydroelectric power station was built on the Altaelva river in Norway from 1979 to 1981; the controversial Virdnejávr Dam flooded a Sámi village, disrupting traditional hunting and herding.[12] Inkoo Kang said that although Frozen II was obviously influenced by Sámi history, the Northuldra may also be interpreted as representing displaced Native Americans; Arendelle can be seen as representing the United States' colonial past, evocative of the embellished life of Pocahontas.[8] The Northuldra are presented in an appealing way, romanticized as a people with magical power who live in harmony with the spiritual and physical worlds.[13]

While Elsa attempts to find out who was calling her, Anna destroys the dam to make amends to the Northuldra for Arendelle's mistakes. Elsa's last-minute intervention prevents the destruction of the kingdom, but Anna destroys the dam in the belief that Elsa is dead. According to Kang, the film promotes reparations for past atrocities.[8] Matt Goldberg wrote that the symbolism of the film's ending is undercut by having Elsa save Arendelle, instead of rebuilding the kingdom elsewhere.[10]

Racial issues in Frozen II are mitigated by making Elsa and Anna half Northuldran, and their mother is depicted as a heroine who saved their father (King Agnarr) from death during the battle.[8] [14] Frozen 's all-white characters were controversial; the sequel's characters are somewhat more diverse, but still stereotypical.[8]

Jennifer Baldwin described Frozen II as a film about trauma, transformation, and faith communities' more-active role in environmental repair.[15] Trauma is caused by the dam, which weakens the elemental spirits. Olaf describes the forest as a place of transformation: venturing into the unknown, befriending the spirits and the indigenous Northuldra, and confronting trauma. Elsa gains the trust of the spirits, each leading her closer to the truth and her transformation into one of the elements. Anna employs the trolls (symbolic of the earth) to break the dam (symbolic of trauma and mistrust) and gains her own strength, independent of her relationship with Elsa. According to Baldwin, this encourages the audience to adopt more sustainable practices, make amends, and work together to preserve the natural world.[9] The film can introduce young children to environmental issues, such as climate change.[16]

Elsa's relationship with the mythological horse Nøkk does not threaten male society, but reverses gender stereotypes.[17] According to Tia Aprilianti Putri, the film's female characters were uniquely heroic or villainous.[18] Nia Kurniawati wrote that Frozen II 's feminist message was subtle and realistic.[19]

Voice cast

A smiling, blonde-haired Kristen Bell

A dark-haired Idina Menzel, singing at an event

  • Kristen Bell as Anna, princess of Arendelle and Elsa's younger sister, who becomes queen of Arendelle after Elsa's abdication[20]
    • Hadley Gannaway and Livvy Stubenrauch as young Anna[21]
  • Idina Menzel as Elsa, former queen of Arendelle and Anna's older sister, who has magical ice powers[20]
    • Mattea Conforti and Eva Bella as young Elsa[21]
  • Josh Gad as Olaf, a snowman created by Elsa[20]
  • Jonathan Groff as Kristoff, an ice harvester and Anna's boyfriend.[21] Groff also voices Sven, Kristoff's reindeer.[21]

Frozen II also features Martha Plimpton as the Northuldra chief Yelena and Sterling K. Brown as the Arendelle commander Mattias. Jason Ritter voices tribe member Ryder and Rachel Matthews voices Honeymaren, Ryder's sister who sought peace for the Enchanted Forest. Evan Rachel Wood voices Iduna (Elsa and Anna's mother), and Delaney Rose Stein voices the young Iduna. Alfred Molina voices Agnarr (Elsa and Anna's father and Iduna's husband), and Jackson Stein voices young Agnarr.[20] [21] [22] Jeremy Sisto voices Runeard (Agnarr's father and Elsa and Anna's grandfather); Ciarán Hinds voices the Rock Troll head Pabbie, and Aurora is "the voice" (a call to Elsa from the memories of young Iduna). Alan Tudyk voices a guard, another Northuldran chief, and an Arendellian soldier. Paul Briggs reprised his role in the post-credits scene as Marshmallow, a snow monster created by Elsa.[21] [23]

Production

Conception

Peter Del Vecho (left), Jennifer Lee (centre), and Chris Buck (right) smiling at the premiere of Frozen in El Capitan Theatre on November 19, 2013.

(left to right) Producer Peter Del Vecho, director and writer Jennifer Lee, and director Chris Buck in 2013

Producer Peter Del Vecho said on March 31, 2014 that he, Chris Buck and Jennifer Lee collaborated well, and he envisioned another Frozen-related project.[24] The following month, Walt Disney Studios chairman Alan F. Horn said that a sequel was not being considered because the studio was focusing on a Broadway musical of the same name.[25] [26] In a May 2014 CNBC interview with David Faber, Disney CEO Bob Iger said that the company would not commission a sequel because it feared not living up to the first film. Iger said that the Frozen franchise "is something that is kind of forever for the company", similar to The Lion King.[27]

On June 10, 2014, Lee confirmed that Walt Disney Studios CCO John Lasseter had freed her and Buck to explore a possible sequel.[28] [29] While working on the short film Frozen Fever (2015), they realized that they missed the characters. Del Vecho had been asked by fans about Frozen 's future. Lee, Buck, and Del Vecho discussed the possibility of a sequel.[29] Buck later said, "The one thing that we did right away was to figure out what would be satisfying for Anna and Elsa at the end of the movie."[30] They decided on ending the sequel with Anna the queen of Arendelle and Elsa "free".[29]

Development

At the Walt Disney Animation Studio, as with Pixar, when we do a sequel, it is because the filmmakers who created the original have created an idea that is so good that it's worthy of these characters. We enjoyed making Frozen Fever so much and being back in that world with those characters, and we love the characters in this world so much of Arendelle, that Jennifer Lee and Chris Buck have come up with a great idea for a sequel and you will be hearing a lot.

—John Lasseter, announcing Frozen II [31]

Iger, Lasseter, and actor Josh Gad announced at Disney's March 12, 2015, annual shareholders' meeting in San Francisco that Frozen II, a full-length sequel, was in development; Buck and Lee would return as directors, and Del Vecho as producer.[31] [32] The production team traveled to Norway, Finland, and Iceland for background research,[33] [34] making Elsa a "mythic hero" with magic ice powers and Anna a "fairytale hero" who lives in a magical world but has no magic powers. The team concluded that the first film successfully combined the two elements.[35] Allison Schroeder was hired to assist Lee with the script in August 2018 after Lee succeeded Lasseter as Disney Animation's CCO;[36] Lee was credited as the film's screenwriter, and Schroeder was credited with additional screenplay material.[37]

Voice recording began in September 2017,[38] [39] although Menzel started a couple of weeks later due to a concert tour.[40] That month, Gad announced his role in the sequel with Buck, Lee, Del Vecho, and Lasseter.[41] [42] In July 2018, Variety reported that Wood and Brown were in talks to join the cast.[43] Their roles were later disclosed as Iduna (Elsa and Anna's mother)[44] and Lieutenant Destin Mattias.[45] Wood was cast because her voice resembled Menzel and Bell's.[44] The voice of Agnarr (Elsa and Anna's father) was changed from Maurice LaMarche to Molina.[23] The Voice's four-note call, derived from the Latin sequence "Dies irae", is delivered in a manner resembling the Scandinavian music form kulning.[46]

Frozen II 's first completed scenes were shown at the Annecy International Animated Film Festival in June 2019, where Becky Bresee and effects-animation head Marlon West said that the film was "still in production, with seven weeks of animation to be completed and 10 weeks of special effects".[47] [48] The filmmakers collaborated with Sámi experts on the depiction of the Northuldra tribe with Verdett, an advisory group which was the result of an agreement between the Walt Disney Company, the transnational Saami Council, and the Sámi parliaments of Finland, Norway, and Sweden.[49] Anderson-Lopez confirmed that Elsa would have no female love interest in the film, despite some fans' desire for one.[50] Lee later explained to The New York Times reporter Maureen Dowd that Elsa's main audience did not seem ready for such a relationship.[51] Lee said in a press conference that Frozen II would not acquire elements from the television series Once Upon a Time 's non-canonical Frozen storyline:[52]

No, that's not canon. We didn't see it. So I kinda made a point of certain things not to see so it wouldn't affect us that way. Frozen I and Frozen II to me are one complete story and that's really where we stay. So glad they had fun with that. I think they had a lot of fun with the characters.

Frozen II underwent significant revisions after its first test screening in San Diego; Disney Animation discovered that although adults liked the film, children found it hard to follow. The production team realized they needed to clarify the identity of the Voice and the point of Elsa's transformation, and add more comedy and shots of Bruni (the fire salamander). A scene of expository dialogue in which the lead characters explained to the people trapped in the Enchanted Forest why they had come there was replaced with Olaf's humorous recap of Frozen. Due to the changes, the animators needed to create 61 new shots and redo an additional 35. An undisclosed number of shots were cut from the finished film; about a dozen animators and artists worked for two months on an elaborate resurrection scene for Olaf before it was cut.[53]

The last major animation scene completed before the production team locked the picture was "Show Yourself", the musical number in which Elsa enters Ahtohallan and learns the secrets she has been seeking,[54] and it was edited by Jeff Draheim.[55] According to Del Vecho, the scene "required all of the resources at the studio" to get the film done on time.[29] Robert Lopez said that the first draft of "Show Yourself" was very different from its final version.[56] Harding's documentary depicted the process of Del Vecho and Lopez determining The Voice's identity. When the production team settled on Queen Iduna, "Show Yourself"'s lyrics were pieced together; then the artists, designers, and animators needed to stage the culmination of Elsa's becoming the Snow Queen.[53]

Animation

Elsa's hair animation evolution process

Elsa's animation process, highlighting the animation of her hair

About 800 people, 80 of them animators, were involved in the production of Frozen II.[57] Tony Smeed and Becky Bresee were the film's heads of animation.[35] Hyun-Min Lee was Elsa's animation supervisor, and Wayne Unten returned as Elsa's animation supervisor. Steve Golberg was the main animation supervisor. [58] [59] Scott Beattie was the layout artist, while Mohit Kallianpur managed the lighting.[60]

Frozen II made use of advancements in technology, artistic performance, and skeletal animation.[61] Before the animation began, Unten showed scenes of superheroes like Frozone to Elsa's animators as examples of what to avoid.[58] Creating the flurry effect was so difficult for the animators that the directors gave Elsa a permafrost coating for Olaf in Frozen II.[62] Elsa's graceful movements were modeled on Frozen and modern dance, particularly Martha Graham's work.[58]

In accordance with Disney's preference for a different style for each film and the directors' and production designer's artistic vision, the multi-departmental animation team[37] was instructed to reconstruct the characters slightly different in tone and style from Frozen. They differed in "very subtle ways," with a "through line from the first movie to the second."[61] In addition to making the Enchanted Forest vegetation autumnal, the effects team applied two internally-developed applications (Vegetation Asset and Fire Tree) to enhance the film's vegetation and fire animation.[63] Lighting and special effects were applied to glacial ice, spirit magic, and memory.[64]

The head of a water creature, with glowing green eyes

The first step for the animation team was to study the screenplay and understand the characters. Blocking (creating key poses) was next, followed by effects and layout.[59] [66] Effects were proposed for layout before animation process to choreograph the dam-collapse scene.[67] Although Frozen 's greatest difficulty for Frozen was the winter snow, Frozen II is set in fall; its main challenge was how to consistently depict the wind and "pass that downstream."[59] [66]

Frozen II 's animation software was influenced by the software in several other Disney films. Anna's hair was animated with Quicksilver, developed for Moana (2016) to deal with wind; for Elsa's hair, the lighting software Beast was used. A vocal coach instructed the animators on how a singer would breathe.[68]

Animation of the nøkk took about eight months. It has a liquid appearance, with effects supervised by Erin Ramos.[37] To create Gale, the wind spirit, a tool called Swoop was developed. The animators received real-time feedback from the supervisors, directors, and producer.[69] [70] The earth spirits had a long rigging process to avoid making rocks distracting.[37] The water simulation was intended to be more realistic than in Moana.[71]

Design

Costume and character designs underwent a number of revisions before they were finalized. According to designer Griselda Sastrawinata-Lemay, the process was the most intricate of any animated film. Technological advancements allowed the designer to create more-detailed outfits, with extra beads and sequins. The team used Marvelous Designer, a computer-generated imagery program, to drape each character's clothing.[72]

Anna's outfit was inspired by the Norwegian folk bunad, worn during the 1840s and 1850s. Typically made of wool, it had decorative embroidery. Anna lost the pigtail braid she had in Frozen because she is three years older in Frozen II, and it was replaced by a braid across the back of her head. Aging Elsa three years was inspired by artists Alexander McQueen and Elie Saab. Saab's designs had long trains and cumbersome floor-length hemlines; the designers instead created a tailored coat with a double-panel cape and epaulettes, highlighting Elsa's strength.[72]

The animation team used a curve-based method for the intricate embroidery. A program interpreted two-dimensional visual designs as line strokes, rendering them as curves. This allowed quick changes, minimizing manual work during design modifications. It also supported free-form stitching with threads of various widths, colors, and densities, crucial to the production of a variety of embroidery styles.[73]

Music

Kristen and Bobby Lopez, seen from the side

A bearded, smiling, bespectacled Christophe Beck in a plaid shirt

Songwriters Kristen Anderson-Lopez and Robert Lopez in 2019, and composer Christophe Beck in 2012

Lopez and Kristen Anderson-Lopez returned from Frozen to write songs for the sequel, and Christophe Beck returned as composer.[74] The soundtrack album was released on November 15, 2019,[75] after the release of Panic! at the Disco's version of one of the film's songs, "Into the Unknown.[76] The seven-song album also contains a remix of "Reindeer(s) Are Better Than People" from Frozen.[77]

Beck said that the score conveys Elsa and Anna's emotional growth, "matured and introduc[ing] more sophisticated musical concepts and thematic elements". He wanted it to reflect the film's complex, intense imagery.[77] Anderson-Lopez described the album's theme as a "meta-story". Although Harding sent a camera crew to the Lopez home in Brooklyn to document their songwriting and composing,[78] the composers found the crew intrusive and did most of their work off-camera.[79]

Marketing and release

Disney released the first trailer for Frozen II on February 13, 2019.[80] Viewed 116.4million times in its first 24 hours, it was the second-most-viewed animated film trailer in that time period.[81] At the release of the preview poster, American astrophysicist Neil deGrasse Tyson commented that "water crystals have hexagonal 'six-fold' symmetry" (shown correctly in Frozen) but the poster had a four-sided snowflake.[82] Lee replied that it was not really a snowflake; the four sides represented the four elemental spirits and its center represented Elsa, the fifth spirit.[83] [84] Disney partnered with 140 other brands worldwide to promote Frozen II, the highest number of brands for a Disney animated film. They marketed Frozen II in the U.S. through a number of internal and external partners, including Enterprise Rent-A-Car, McDonald's, and Lego.[85] To support the film's marketing campaign, the lead voice cast made a number of public and televised appearances; these included a "Friendsgiving" stunt night on ABC, introductions on The Masked Singer, and a Women of Impact program on Nat Geo Wild.[86] In November 2019, the lead voice cast's schedules were so full that Bell said: "Time [was] not there".[87]

Frozen II premiered on November 7, 2019, at the Dolby Theatre in Los Angeles.[88] [89] The film was originally scheduled for general release on November 27,[90] but it was moved up five days.[91] On January 17, 2020, a sing-along version of the film was released.[92] It was localized by Disney Character Voices International into 46 languages by its original theatrical release date;[93] Frozen had been translated into 41 languages.[94] The success of Frozen 's localized versions led to the release of an album with all versions of "Let It Go",[95] and Jikŋon 2 (a Northern Sami version) was released to honor the people's contributions.[96]

Walt Disney Studios Home Entertainment released Frozen II for digital download on February 11, 2020, and on Blu-ray and DVD on February 25.[97] Blu-ray bonus features include a sing-along audio recording of the film, an Easter-based short hosted by Olaf, and a presentation of the Nordic mythology on which the Enchanted Forest is based. It also contains a behind-the-scenes feature, child-friendly activities and contests,[98] musical clips, 29 translated versions of "Into the Unknown", and deleted music and scenes.[99] The film, initially scheduled to premiere on Disney+ on June 26, 2020, was moved up to March 15 in the United States and March 17 in Canada, the Netherlands, Australia, and New Zealand due to the COVID-19 pandemic.[100] [101]

Documentary series

Megan Harding (who had directed a 2014 making-of ABC television special about Frozen) reached out to Disney Animation about documenting the production of Frozen II, and the company agreed.[78] [102] Harding, working with Lincoln Square Productions, commuted from New York City to Burbank, California and shot 1,300 hours of footage in 115 days between December 2018 and the November 2019 world premiere.[79] She edited the footage[103] down to six episodes, about 35 to 45 minutes long.[79] Disney Animation knew that Harding intended to take a "fearless" and "honest look" at the filmmaking process; her crew was asked to leave only once,[78] when the production team wanted to decide the mysterious voice's identity.[53] The documentary series, Into the Unknown: Making Frozen II, was released on June 26, 2020.[79]

Reception

Box office

Frozen II earned $477.4million in the United States and Canada and $972.7million in other territories, for a worldwide total of $1.450billion, against a budget of $150 million.[104] It was the third-highest-grossing film of 2019,[105] the tenth-highest-grossing film of all time,[106] and the second-highest-grossing animated film of all time.[107] On December 15, 2019, Frozen II passed the $1billion mark at the global box office.[108] Deadline Hollywood calculated the film's net profit as $599million, accounting for production budgets, marketing, talent participations, and other costs; box office grosses and home media revenues placed it second on their list of 2019's "Most Valuable Blockbusters".[109] According to Disney (who did not consіder the 2019 Lion King remake an anіmated fіlm but a live-action reboot), Frozen II is the hіghest-grossing anіmated fіlm (surpassing Frozen).[110] Frozen II 's box-office success was attributed to its release date near Thanksgiving. According to Comscore analyst Paul Dergarabedian, the film was "perfectly positioned to play well into 2020."[111]

The film was released with A Beautiful Day in the Neighborhood and 21 Bridges on November 22, 2019, in 4,440 theaters:[112] 2,500 in 3D, 800 in the premium large format (including 400 in IMAX), and 235 in D-Box/4D.[113] Frozen II earned $41.8million on its first day,[114] including $8.5million from Thursday night previews.[112] The film debuted earning $130million, the highest opening for an animated film that month.[115] Its second weekend earnings dropped by 34 percent to $85.6million (with a record $125million over the five-day Thanksgiving weekend)[116] and followed by another $34.7million the third weekend.[117] By December 29, the film's domestic earnings topped $400million.[118] Frozen II completed its theatrical run in the United States and Canada on March 19, 2020, as the film industry became significantly affected by the COVID-19 pandemic.[119] [120]

Worldwide, Frozen II earned $228.2million in its opening weekend in 37 markets, for a global debut total of $358.5million: the highest for an animated title, surpassing the 2019 remake of The Lion King.[121] It had the best all-time opening of an animated film in the United Kingdom ($17.8million) and France ($13.4million); the biggest start for a Pixar or Disney Animation title in China ($53million), Japan ($18.2million), Germany ($14.9million) and Spain ($5.8million), and the third-biggest opening of any film in South Korea ($31.5million).[121] [122] The film earned $11.4million in its second week in the United Kingdom, bringing its total gross there to $35.3million.[123] By January 5, 2020, the film's offshore gross had exceeded $875.3million.[124] As of July 2021[update], its top international markets were China ($125.3million), Japan ($122.3million), South Korea ($96.3million), the United Kingdom ($69.8million), Germany ($60.6million), and France ($54million).[125]

Critical response

Frozen II has an approval rating of 78% based on 334 professional reviews on the review aggregator website Rotten Tomatoes, with an average rating of 6.7/10, while Frozen has a 90% rating out of 335 reviews. Its critical consensus reads, "Frozen II can't quite recapture the showstopping feel of its predecessor, but it remains a dazzling adventure into the unknown."[126] [127] Metacritic (which uses a weighted average) assigned Frozen II a score of 64 out of 100 based on 47 critics, indicating "generally favorable reviews", whereas Frozen received a higher 75 score out of 48 critics.[128] [129] Audiences polled by CinemaScore gave the film an average grade of A– (lower than Frozen 's A+) on an A+ to F scale, and PostTrak rated it 4.5 (out of five stars) on the film's opening day.[112] [113]

Frozen II continues in the same nonthreatening, emancipatory vein, jumping to life when Elsa responds to the siren's call. As before, the songs by Kristen Anderson-Lopez and Robert Lopez are pleasantly melodious with lyrics that can have the quality of a confession, as if a friend were sharing her inner-voice struggles.

Manohla Dargis, The New York Times [130]

Reviews were moderately positive, with critics praising the film's craftsmanship, delivery, and themes; its music divided journalists.[d] The New York Times critic Manohla Dargis called the narrative a "pink world of adventure and aspirational uplift," and Nell Minow of RogerEbert.com noted its frank, compelling depiction of issues which were understandable by audiences of all ages. Dargis cited Frozen II 's engaging visual imagery, balanced by romance and history, and Minow noted the film's autumnal palette.[1] [130] Peter Travers (Rolling Stone), Simran Hans (The Guardian), and Todd McCarthy (The Hollywood Reporter) praised the film. Travers, who enjoyed reconnecting with the characters, called the animation stunning and referred to the music as "tantalizing earworms." Hans compared the film's narrative to real-world efforts to mitigate climate change. McCarthy praised its "catchy songs", "easy-to-like characters" and "astonishing backdrops", with humor and a plot driven by "female empowerment galore".[131] [132] [133]

Frozen II 's narrative, music, and focus were criticized.[e] In The Wall Street Journal, John Anderson noted that the sequel was not innovative and criticized the film's flawed narrative and low-quality music in comparison with Frozen.[134] In an Empire review, Ben Travis said that the narrative relied too much on mythology and hazy backstories.[136] Minow criticized the film's excessively-detailed narrative,[1] and Observer writer Oliver Jones said that the film's energy and originality were overly focused on the sisters.[135] Reviewers for the Los Angeles Times and The Washington Post cited Frozen II 's complicated story and dark tone.[144]

Accolades

References

Notes

  1. ^ Sometimes stylized as Frozen 2 .
  2. ^ a b As depicted in Frozen (2013).
  3. ^ As depicted in Frozen Fever (2015).
  4. ^ Attributed to multiple references: [1] [130] [131] [132] [133]
  5. ^ Attributed to multiple references: [134] [135] [136] [137] [138] [139] [140] [141] [142] [143]

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Works cited

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  • Baldwin, Jennifer (2020). "Trauma, Eco‐spirituality, and Transformation in Frozen II: Guides for the Church and Climate Change". Dialog: A Journal of Theology. Hoboken, New Jersey: Wiley-Blackwell. 59 (2): 60–61. doi:10.1111/dial.12546.
  • Fonneland, Trude (2020). "Religion-Making in the Disney Feature Film, Frozen II: Indigenous Religion and Dynamics of Agency". Religions. Tromsø, Norway: University of Tromsø. 11 (9): 430. doi:10.3390/rel11090430.
  • Dundes, Lauren (2020). "Elsa as Horse Whisperer in Disney's Frozen II: Opportunity 'Nokk's to Quash Gender Stereotypes". Social Sciences. Westminster, Maryland: McDaniel College. 86 (9): 11. doi:10.3390/socsci9050086.
  • Moses, Joseph Norman; Gaddipati, Vijoy; Fiske, Benjamin; Tollec, Marie; Miller, Tad (August 17, 2020). "Frozen II: Effects Vegetation Pipeline". Siggraph'20: Acm Siggraph 2020 Talks. 7: 2. doi:10.1145/3388767.3409320 – via ACM Digital Library.
  • Sathe, Amol; Summers, Lance; Yuan-Chiang, Matt Jen; Newland, James (August 17, 2020). "The Look and Lighting of 'Show Yourself' in Frozen II". Siggraph '20: Acm Siggraph 2020 Talks. 71: 2. doi:10.1145/3388767.3407388 – via ACM Digital Library.
  • Liu, Ying; Wright, Jared; Alvarado, Alexander (August 17, 2020). "Making Beautiful Embroidery for Frozen II". Siggraph '20: Acm Siggraph 2020 Talks. 73: 2. doi:10.1145/3388767.3407360 – via ACM Digital Library.
  • Tollec, Marie; Jenkins, Sean; Summers, Lance; Cunningham-Scott, Charles (August 17, 2020). "Deconstructing Destruction: Making and breaking of Frozen II 's Dam". Siggraph '20: Acm Siggraph 2020 Talks. 24: 2. doi:10.1145/3388767.3407333 – via ACM Digital Library.
  • Putri, Tia Aprilianti (April 2021). "Viewing Female Depiction in Frozen II". Journal of Language and Literature. Surabaya, Indonesia: University of Airlangga. 15: 2. eISSN 2460-853X. ISSN 1858-0165.
  • Kurniawati, Nia (2020). "Representation of feminism in the main characters of the films Maleficent Mistress of Evil and Frozen II". Hortatori Jurnal Pendidikan Bahasa dan Sastra Indonesia. Cianjur, Indonesia: University of Suryakancana. 4: 2. doi:10.30998/jh.v4i2.532.
  • Midkiff, Emily; Austin, Sara (2021). "The Disneyfication of Climate Crisis: Negotiating Responsibility and Climate Action in Frozen, Moana, and Frozen II". The Lion and the Unicorn. 45: 2.
  • Kittelsen, Theodor; Østby, Leif (1975). Theodor Kittelsen. Dreyer. ISBN978-8-20901-226-0.
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  • March, Julia (2019). Disney Frozen II: The Magical Guide. Dorling Kindersley Limited. ISBN978-0-241-35767-5.

Further reading

  • Julius, Jessica (2019). The Art of Frozen II. Chronicle Books. ISBN978-1-4521-6949-1.

External links

Frozen 2 Disney Plus Release Date 2019

Source: https://en.wikipedia.org/wiki/Frozen_II

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